http://nbcushortsfest.com/portfolio/b-u-t-s-spanish-class/
"Jacob Von Eichel as Steve has very funny bones. I loved his downtrodden, irritating persona that would warp into a grand diva demon at the end. He was exceptional in the support cast role, feeding the scenes energy and focus... It’s a strong cast in a potent play produced by Primitive Grace and Access Theatre. This could be a long running series, because I wanted to see what happened on all of the previous films they’d done together and their apocalyptic fallout on each one." - Jacquelyn Claire (NY Theatre Guide)
http://nytheatreguide.com/2017/01/theatre-review-fringe-of-humanity-at-access-theatre/
“I just came off a roller coaster that just kept going up and doing spirals for 106 minutes. The play opens with high energy salsa in the background and... the talented and giving ensemble pulls the audience in... and continues to build the energy to a fever pitch as the story unfolds. Paul Calderon’s Fringe of Humanity is a high- octane, cocaine-fueled explosion of storytelling that keeps you glued to the next word, action, moment...." — M. Singh McDonald (Theater Beyond Broadway)
https://malinism.com/2017/01/14/review-fringe-of-humanity/
"Fix brings the funny too, with a cameo by unknown Jakob Von Eichel who plays the obscenely wealthy, Shasta. A would-be rapper boxer who the gang try to get some money from as a last ditch effort. Mr. Eichel almost steals the entire movie in five minutes. If there is one reason to see this film, it’s his performance. It reminded us of Eddie Murphy appearing on Saturday Night Live for the first time when you realized you were watching someone become alive as an entertainer for the first time. It’s that good. You’ll hear his name again. We promise." - (The Denver Egotist)
http://www.thedenveregotist.com/editorial/2008/september/18/movie-review-fix
"Propelled by an eccentric cast of characters and increasingly seamy locations, “Fix” dashes headlong through Los Angeles with a little charm and a lot of verve." - JEANNETTE CATSOULIS (New York Times)
http://www.nytimes.com/2009/11/20/movies/20fix.html
"the diversity of visual tactics, characters, settings and incidents keep this shaggy-dog tale consistently diverting." - Dennis Harvey (Variety)
http://variety.com/2008/film/reviews/fix-3-1200548815/
"The Clearing moves steadily from its naturalistic beginning to become more expressionistic in Act II, and the characters transform into representative types. If you find yourself caught up in the very human story of the individuals being portrayed early on, you will have to give it up for the near-mythic turn the play takes as events unfold. Sir Charles becomes icily monsterous; Robert (Jakob von Eichel), a self-serving lump of a man; and Killaine more and more ethereal. Madeline, meanwhile, emerges as a sort of Joan of Arc as the play marches on towards a conclusion that is inevitable as the flow of history. But even with the fading of the characters as real people, the cast, under Pamela Moller Kareman's direction, is quite strong...The Clearing is a thoroughly compelling play..."- Howard Miller (Talkin' Broadway)
http://www.talkinbroadway.com/page/ob/10_11_16.html